Opening Scene: (old
Italian music running in the background) camera view: table with cigar sitting
in ashtray with smoke rising. Filming black and white in like an older type
feel.
Introduce the
“godfather”: he pick up the cigar and puffs through it a few times.
Phone is in the
frame on the table. It rings and he picks it up. Camera to split screen to
talking with his henchman.
Henchman “The
bird has left the nest.”
Don: Feed poly
his cracker
Henchman: “oh
okay..wait what?”
Don: Put the
turkey in the oven!
Henchman: what
are you talking about?
Don: Clip the
birdies wings. I don’t want em flying no more!
Henchman: boss I
really don’t know what your saying.
Don: Kill him
you idiot!!! Just kill him! (hangs up the phone angrily)
Henchman frowns
sniffles and says “hes always so mean to me.”
Cut to a man
driving in his car. Shot from passenger seat.
Cut to shot from
the curbside. Car pulls up to the sidewalk.
Cut to shot from
the man’s point of view. Bag covers his face (the camera as well). There’s an
apparent struggle and you hear gasping for air. Two gun shots go off and you
hear the body hit the ground.
Cut to the don
in his office. He kicks his feet up on the table while smoking his cigar still.
Enters our
protagonist; Luke Bisutti.
Luke walks in
and slams the door behind him. He begins
to yell, “what do you think your doing?! You can’t solve all problems by
just killing people!”
Don: I don’t
know what you’re talking about Luke. You had a problem and I fixed it, what’s
the problem?
Luke: It was my
problem and I was gonna fix it myself. Now someone’s dead and the feds will be
sniffin’.
Don: You’re pops
told me to look after you and that exactly what I intend to do!
Luke: But your
not my father so stay out of my life!!
Luke swings the
door open. And stomps out.
Scene cuts when
the door shuts. Cut to Luke walking. He wipes the tears off his face and begins
to observe his surroundings (from his point of view). His breathing begins to
get heavier and cuts of scenery are constant. They being to cut through at an
increasing speed and the trend is followed by his breathing. (insert memories
of him and his father in the mix). Cuts in between real life and memories are
like blinks. Images stop suddenly and you hear an alarm ring. Luke sits up in
his bed and wipes his eyes off.
Knock at the
door. Luke gets up to answer.
Door opens and
the Don is standing there he says “Come for a ride.”
Luke: Let me get
ready real quick.
Luke exits back
into his house. Cut to them driving together in silence. Don stops the car and
they walk to a bridge.
Don begins,
“Your father was my best friend. When we were kid you couldn’t find us apart
from eachother. I got so used to it I thought we were one. And when he passed,
a part of me did. Before he took his last breath he asked me to look after you.
There’s no way I could let him down.”
Luke just looks
at him. Almost a blank stare. He finally responds, “Have you ever just thought
of ending it? Thinking if there was any chance of being with him again that you
would take that chance. I dream of it every night.”
Don grabs and
hugs him. And the camera pans back and up into the air. And then it fades to
black.
The END